The work presents a symbolic tree in which an organic form merges with an almost psychedelic visual environment. The base — a massive, fluid trunk rendered in deep, cool shades of blue — feels bodily, almost anthropomorphic. Its plasticity evokes at once a root system, a human torso, and a flow of solidified liquid, suggesting an inner energy rising upward.
The crown stands in sharp contrast to the trunk: it unfolds into a complex field of swirling lines filled with a wide spectrum of colors — from warm orange-red tones to deep blues and turquoises. These rhythmic, spiraling structures evoke associations with streams of consciousness, maps of neural activity, or atmospheric currents. As a result, the tree ceases to be a botanical object and transforms into a metaphor for thought, memory, or the inner world.
The use of burlap as a base adds materiality and an earthy quality to the work. The rough texture enters into a dialogue with the fluid painted layer: the natural and the psychological, the physical and the immaterial literally grow into one another here. The background, partially left almost untreated, creates a sense of space between what is revealed and what is concealed — as if the tree is emerging from a layer of time or memory.
Overall, the work balances between figuration and abstraction, offering the viewer not a fixed image but a process — growth, transformation, and the circulation of energy. This tree can be read as a self-portrait of an inner state, or as a universal image of life in which roots and consciousness are connected.
